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Some Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Jack Lemmon and Tony Curtis in  (1959)Some Like It Hot Jack Lemmon and Tony Curtis in  (1959)Some Like It Hot Jack Lemmon and Tony Curtis in  (1959)Some Like It Hot Jack Lemmon and Tony Curtis in  (1959)Some Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn MonroeSome Like It Hot Marilyn Monroe

Some Like It Hot Pics

Some Like It Hot
Some Like It Hot
Some Like It Hot
Some Like It Hot
Some Like It Hot
Some Like It Hot
Some Like It Hot
Some Like It Hot
Some Like It Hot
Some Like It Hot

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Some Like It Hot Snapshot

Release Year

The movie too HOT for words!

Plot Summary
When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.

Run Time
120 min

Aspect Ratio
1.85 : 1

Action, Comedy, Crime, Drama, Family, Music, Romance, Thriller


Band, Musician, Yacht, Witness, Massacre

Movie Rating

Sound Mix

Black and White

Film Type

Film Class
Comedy of Errors, Sex Comedy, Farce

Gender-Bending, Fish Out of Water, Assumed Identities, Schemes and Ruses, Love Triangles

Racy, Witty, Irreverent, Quirky, Stylish, Madcap, Light

Has Detailed Data (New)
1, 2, 3


US Box Office

Release Date


Country Of Origin

Wikipedia Text

Some Like It Hot is a 1959 American comedy film set in 1929, directed and produced by Billy Wilder, starring Marilyn Monroe, Tony Curtis, and Jack Lemmon. The supporting cast includes George Raft, Pat O'Brien, Joe E. Brown, Joan Shawlee, and Nehemiah Persoff. The plot is based on a screenplay by Robert Thoeren and Michael Logan from the French film Fanfare of Love. The film is about two musicians who dress in drag in order to escape from mafia gangsters whom they witnessed commit the Saint Valentine's Day Massacre. The film was produced in black and white, even though color films were increasing in popularity.

Has Detailed Data (New)

Youtube Video Code

Aspect Ratio
1.66 : 1

Spats, All Girl Band

Movie Rating

Wiki Bio Text
The launching pad for Billy Wilder's comedy classic was a rusty old German farce, Fanfares of Love, whose two main characters were male musicians so desperate to get a job that they disguise themselves as women and play with an all-girl band in gangster-dominated 1929 Chicago. In this version, musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) lose their jobs when a speakeasy owned by mob boss Spats Columbo (George Raft) is raided by prohibition agent Mulligan (Pat O'Brien). Several weeks later, on February 14th, Joe and Jerry get a job perfroming in Urbana and end up witnessing a gangland massacre in a parking garage. Fearing that they will be next on the mobsters' hit lists, Joe devises an ingenious plan for disguising their identities. Soon they are all dolled up and performing as Josephine and Daphne in Sweet Sue's all-girl orchestra. En route to Florida by train with Sweet Sue's band, the boys (girls?) make the acquaintance of Sue's lead singer Sugar Kane (Marilyn Monroe, in what may be her best performance). Joe and Jerry immediately fall in love, though of course their new feminine identities prevent them from acting on their desires. Still, they are determined to woo her, and they enact an elaborate series of gender-bending ruses complicated by the fact that flirtatious millionaire Osgood Fielding (Joe E. Brown) has fallen in love with "Daphne." The plot gets even thicker when Spats Columbo and his boys show up in Florida. Nominated for several Oscars, Some Like It Hot ended up the biggest moneymaking comedy up to 1959. Full of hilarious set pieces and movie in-jokes, it has not tarnished with time and in fact seems to get better with each passing year, as its cross-dressing humor keeps it only more and more up-to-date. http://www.allmovie.com/movie/some-like-it-hot-v45555 When two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords. - Written by garykmcd It's the winter of 1929 in Chicago. Friends and roommates Jerry and Joe are band musicians, a string bassist and tenor saxophonist respectively. They are also deep in debt. Womanizing and smooth talking Joe is a glass half full type of guy, who figures they can earn quick money gambling with what little money they earn to pay off their debts, while more conservative Jerry is a half glass empty type of guy. They are in the wrong place at the wrong time when they witness a gangland slaying by bootlegger Spats Colombo and his men, Jerry and Joe managing to make it away from the scene within an inch of their lives. Needing to lay low and get out of town away from Spats, they sense an opportunity when they learn of a local jazz band needing a bassist and a saxophonist for a three week gig at a luxurious tropical seaside resort in Miami, all expenses paid. The problem?: it's an all girl band, but nothing that "Geraldine" and "Josephine" can't overcome, the former who instead chooses Daphne as "her" stage name. Sweet Sue, the band leader, has two basic rules for the band members while on tour: no liquor and no men. Beyond needing to evade Spats and his henchmen, and maintain the front of being women, especially in the most private of situations with the other female band members, Jerry and Joe have two primary problems. First, the more brazen Joe falls for one of the other band members, ukulele player and vocalist Sugar Kane Kowalczyk, although Jerry too is attracted to her. Joe does whatever he can to find time to get out of drag to woo Sugar while in Miami, using all the knowledge Josephine gleans directly from Sugar about what turns her crank in potential husband material. And second, Jerry, as Daphne, catches the eye of wealthy lovestruck Osgood Fielding III, who won't take no for an answer. - Written by Huggo After witnessing a Mafia murder, slick saxophone player Joe and his long-suffering buddy, Jerry, improvise a quick plan to escape from Chicago with their lives. Disguising themselves as women, they join an all-female jazz band and hop a train bound for sunny Florida. While Joe pretends to be a millionaire to win the band's sexy singer, Sugar, Jerry finds himself pursued by a real millionaire as things heat up and the mobsters close in. - Written by Jwelch5742 Two struggling musicians witness the St. Valentine's Day Massacre and try to find a way out of the city before they are found and killed by the mob. The only job that will pay their way is an all girl band so the two dress up as women. In addition to hiding, each has his own problems; One falls for another band member but can't tell her his gender, and the other has a rich suitor who will not take "No," for an answer. - Written by John Vogel Joe, the saxophone player, is Josephine in the all girls band that he joined with Jerry, the bass violin player, to be one step ahead of the mob after witnessing the 1929 St. Valentine's Day Massacre in Chicago. After a train ride that sets a record for number of people in an upper berth, they are In Miami. Joe decides to be the man of Sugar Kane's dreams and invites her out to a yacht he doesn't have. But he can use Osgood Fielding's yacht if Jerry -- as Daphne -- will keep Osgood dancing. The pace gets even giddier when the Chicago mob arrives in Miami for a convention. - Written by Dale O'Connor When two male musicians witness a mob hit, they flee the state in an all-female band disguised as women, but further complications set in. - Written by Kenneth Chisholm http://www.imdb.com/title/tt0053291/plotsummary?ref_=tt_stry_pl **********(Warning: contains spoilers!)********* Joe and Jerry, a saxophonist and bassist, respectively, are two working-class musicians, working in a Chicago speakeasy in February, 1929. Though they have steady work, they still owe money to many of their friends. However, Joe, the optimist, isn't worried since the gig they have seems to be stable. Joe does flirt briefly with the idea of taking all the money he and Jerry have and betting it on a greyhound race but the plan is soon discarded. Fortune changes a few minutes later when a police officer, Mulligan, working on a hot tip from a mob informant, Toothpick Charlie, raids the place for illegal liquor sales. The speakeasy itself belongs to Chicago's most notorious mob boss, Spats Colombo. Joe and Jerry barely escape the raid. Jobless, they try to figure out a plan to earn money; Joe suggests they hock their overcoats and bet the money on a long shot at the dog racing track. Joe's plan fails miserably and the guys are more broke than ever during a bitterly cold Chicago winter. Joe and Jerry go to the offices of their talent agents, whom have no work for them. They go to the last one, Sig Poliakoff's, where Joe talks to the receptionist, Nellie, whom he has been dating. She tells him that Poliakoff has openings for a sax player and bass player in a band that will be traveling to Florida. In Sig's office, Sig is on the phone frantically trying to find replacement musicians for Sweet Sue, the band's leader, and her assistant, Beinstock. Sue's band is all-female and she has a strict "NO MEN" policy; Sue's frustrated because one of her players got pregnant and another ran off to get engaged. Jerry and Joe, not knowing Sue is looking for women, burst into Sig's office and ask for the gig. Poliakoff informs them that they're the wrong gender, but he does have a gig in Urbana, Illinois, for one night. Joe and Jerry accept and con Nellie into loaning them her car to drive to the gig. Joe and Jerry go to the garage where Nellie's car awaits. A group of shady-looking men are playing cards in the corner, one of them is Toothpick Charlie. While the mechanic fills the car with gas, a large limo rolls into the garage and several gang members, armed with shotguns and Thompson machine guns get out. Joe and Jerry hide behind Nellie's car while everyone else is lined up against the wall. The gangsters who burst into the place work for Spats Colombo, who steps from the limo. He has come to Charlie's garage seeking revenge for the speakeasy being busted. He gives the command and his men slaughter everyone against the wall (a reference to the infamous St. Valentine's Day Massacre perpetrated by Al Capone). The gas nozzle in Nellie's car suddenly pops out when the tank is full and clatters on the ground, drawing the attention of Spats' men, who see Joe and Jerry. Spats orders them to be killed too, while at the same time, Charlie, still alive, tries to reach a nearby phone. Spats grabs a Thompson and kills Charlie, temporarily forgetting Joe and Jerry, who escape. One of Spats' goons shoots at them but only succeeds in hitting Jerry's bass. Joe and Jerry, now on the run, call Poliakoff's office, planning to fool their agent into thinking they're the women musicians needed for Sweet Sue's band. Joe and Jerry, dressed as women, arrive at the train station. They use false names; Joe becomes Josephine and Jerry becomes Daphne (he'd originally agreed to be Geraldine, but tells Joe he never liked the name). They meet Sue and Beinstock and fool them effectively enough to be hired. They also spot the band's singer and ukulele player, the attractive and blond Sugar Kowalczyk. Both men are instantly attracted to her, especially Joe. During a band practice on the train Sugar drops a flask of bourbon; alcohol is strictly forbidden by Sue. Beinstock reminds Sugar that he warned her not to hide liquor, however, Jerry tells them it's his flask and covers for Sugar. Later that night, Sugar sneaks into Jerry's berth to thank Daphne for covering for her. Jerry suggests that they both share a drink of whiskey, which Jerry steals from Joe's suitcase in the berth below his. The other women in the band quickly discover Jerry and Sugar and assume they're having a party. Joe and Sugar go to the ladies' room to prepare some ice and during their conversation, Sugar tells Joe that she's had bad luck with romance and men and that she has a soft-spot for saxophone players. Joe is floored but keeps his composure and they share a drink together. In his berth, Jerry finds that the other girls are becoming a bit too physical and, afraid they'll find out his true identity, pulls the emergency cord, stopping the train. All the girls spill out of his berth and the party grinds to halt, Sweet Sue flustered by the whole ordeal. The train arrives in Florida and the band is taken to their hotel. Joe leaves Jerry to carry all their luggage and as Jerry climbs the steps to the entrance, he loses a shoe. A rich man, Osgood Fielding III places it back on her feet and proceeds with improper advances toward Jerry's alter ego. Jerry fights the man off after he gropes him in the elevator. In their room, Jerry tells Joe they should leave the band and go further into hiding. Joe tells him they should stay in disguise since Colombo's gang would never look for them in an all-woman band. Joe is also attracted to Sugar, though he doesn't sight that as a reason for staying, and has his own plans to woo her. Sugar shows up and invites the two to the beach; Jerry joins her but Joe declines. After they leave, Joe takes out a suitcase he'd stolen from Beinstock (along with the man's glasses) and dresses up in a fashionable sailor's outfit. Joe goes down to the beach and sits in a chair, reading the Wall Street Journal. He attracts the attention of Sugar and presents himself as an heir to the Shell Oil Corporation. Sugar begins to flirt with him, however, he remains aloof, telling her he's waiting for a signal from his yacht offshore. Jerry happens by and instantly recognizes Joe. He convinces Sugar to go back to his and Joe's hotel room to expose him as an impostor. Joe beats them back there and they find him in the tub, covered with bubbles and posing as Josephine. Sugar tells Josephine that she's probably met a millionaire and she leaves. When she does, Jerry launches into a tirade about faking an identity on the beach and that Joe is trying to take advantage of Sugar. Joe responds by rising out of the tub, still in his Shell Oil Jr. outfit, and plops his wet wig down on Jerry's head. Jerry receives a ship-to-shore call from Osgood: Osgood wants to invite Daphne to have dinner with him aboard his yacht. Joe takes charge of the invitation and tells Jerry to persuade Osgood to take him to a dinner and dancing club instead of the yacht. Joe will go to the yacht as Shell Oil Jr. with Sugar. That night, while Joe & Jerry play with the band at dinner, Jerry receives a giant bouquet of flowers from Osgood. When the gig ends, Joe rushes back to his room and assumes the disguise, while Jerry and Osgood go to the restaurant. Joe arrives at the dock just before Sugar and takes her to the yacht on Osgood's boat. While the two have drinks and eat, Joe again acts aloof towards Sugar, trying to persuade her to kiss him. At first he acts as though he has a psychological block that prevents him from enjoying their romantic evening, but Sugar eventually turns him on. On the shore, Osgood and Jerry dance the tango all night. Sugar and Joe return to the mainland, apparently in love. He bids farewell to Sugar and climbs up to his room where Jerry is lying on one of the beds. Jerry tells Joe he's engaged; when Joe asks "who's the lucky girl?" Jerry says he is himself because Osgood proposed to Daphne. The two have a brief debate where Jerry reveals his plan to marry Osgood and tell him the truth right after the ceremony. He plans to extort a large settlement out of Osgood and live on the alimony checks he believes he'll receive. Joe convinces Jerry that he's committing fraud and will be caught. Jerry shows Joe the pricey diamond bracelet Osgood gave to him as an engagement gift, saying he'll return it. Joe suggests they keep it, perhaps thinking they can hock it for cash. In the hotel lobby, Spats Colombo and his goons arrive for a convention of "Friends of Italian Opera", which is actually a meeting of organized crime gangsters. The organization and meeting are being led by Little Bonaparte, the most powerful gangster there. Bonaparte already has a rivalry with Spats, which has been exacerbated by Spats' murder of Toothpick Charlie, who was a good friend of Bonaparte. Jerry and Joe, in the lobby, spot Spats and his crew and immediately get into the elevator to return to their room. Just as the doors are about to close, Spats and his men enter the elevator; Jerry and Joe's disguises work on them and they make it to their room. They pack hurriedly and Joe wants to take care of one last detail: Sugar. He calls her and once again uses his Shell Oil Jr. voice, telling her that he has to leave suddenly. His parents have told him to marry a woman who is the daughter of another millionaire with a large empire. As a final gesture, Joe leaves a bouquet of flowers outside Sugar's room with Osgood's diamond bracelet (the gift to Jerry) hidden inside. Sugar is devastated but accepts the gift. Jerry and Joe climb out the window to avoid running into the gangsters again. However, their path takes them right past Spats' balcony and they're spotted. Spats grabs the bass Jerry left behind and sees the bullet holes from when the two escaped in Chicago. Spats and his men chase them through the hotel but lose them. At one point, Jerry and Joe disguise themselves as a bellhop and a man in a wheelchair and duck into a banquet room, the same room all the gangsters will be eating dinner in. While they hide under the huge table, a pair of shoes with spats on them slides under the table. The two sit still and wait. Little Bonaparte begins the meeting with a lengthy criticism of Spats himself, admonishing him for the assassination on Valentine's Day. Bonaparte seems to forgive Spats' indiscretion and lightens the mood by announcing they will celebrate Spats' birthday. Spats points out that his birthday isn't for a few months but Bonaparte insists they still have a large cake for Spats. After the cake is brought in, the entire room sings to Spats and a gangster pops up out of the cake and shoots Spats and his crew with a Thompson. Jerry and Joe burst out from under the table and run out of the room. Just as Little Bonaparte orders his men to catch them, Chicago cop Mulligan walks in and demands to know what happened. Bonaparte avoids the question and Mulligan promises to start a federal investigation. Jerry and Joe retreat to their room, fixing their disguises once again. They overhear a gangster saying that they've got all the standard escape routes covered. Joe realizes that they can escape on Osgood's yacht and tells Jerry to call the millionaire and accept his marriage proposal. Before they leave, Joe wanders into the dining and dancing hall of the hotel and sees Sugar singing "I'm Through With Love". Moved, Joe approaches her and kisses her. Sugar realizes who Josephine really is and leaves the band, following Joe and Jerry to Osgood's speedboat. They all board it and head for the yacht. Joe tries to tells Sugar that he's a cad who took advantage of her and that he's a sax player who will only treat her badly. Sugar doesn't care and kisses him anyway. Jerry begins to tell Osgood that he's equally as treacherous, that he smokes and can't have children, however Osgood doesn't care. Jerry, frustrated, finally pulls off his wig and tells Osgood he's actually a man. Osgood replies, "Well, nobody's perfect." http://www.imdb.com/title/tt0053291/synopsis?ref_=ttpl_pl_syn

Couple Profile Source

High Artistic Quality, High Historical Importance, High Production Values, Cross-Dressing, Deception, Disguise, On-The-Run, Band [music Group], Betrayal, Con/scam, Escape, Hidden-Identity, Organized-Crime, Pursuit, Role-Switching, Women, Gender-Bending, Fish Out of Water, Assumed Identities, Love Triangles, Schemes and Ruses

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