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Boulogne-Billancourt, Seine [now Hauts-de-Seine], France
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French ballet dancer Leslie Caron was discovered by legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951). Her gamine looks and pixie-like appeal were ideal for Cinderella-type rags-to-riches stories. Combined with her fluid dancing skills, she became one of the top foreign musical talents of the 1950s...and her triple-threat talents as a singer, dancer and actress sustained her long after the musical film`s "golden age" had passed.
Leslie Claire Margaret Caron was born on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11 until the Nazi occupation forced her and her brother to flee to Cannes with her grandparents. She later returned to Paris and attended the Convent of the Assumption. Continuing her dance training at the National Conservatory, she became a 16-year-old member of the Ballet des Champs-Élyées where she greatly impressed her teachers. Cast in the ballet "La Recontre" in 1948, Gene Kelly saw her in the production and was entranced. Luckily for her, he remembered that performance two years later when he returned to Paris in search for a dancing unknown to introduce in his newest musical film.
Put under an MGM contract, Leslie also appeared in one dramatic film but it was held in abeyance until the release of the George Gershwin-inspired An American in Paris (1951). Kelly and newcomer Caron`s touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers and the dazzling 17-minute ballet to the title song) had critics and audiences enthralled and it won several Oscar awards, including "Best Picture". While her dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker`s boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the toothsome, child-like urchin who falls for a cruel carnival puppeteer in Lili (1953) that finally brought her to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film award for "Best British Actress". At her waif-like best once again in the musical Daddy Long Legs (1955), this time Leslie was paired with the other male dancing film legend, Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was choreographed by Roland Petit, who founded the Ballet des Champs-Élyées, Leslie`s former dance company.
While she gave poignant life to the ugly-duckling-turned-swan tale The Glass Slipper (1955) opposite Britisher Michael Wilding`s Prince Charming and touchingly played a ballerina in love with a WWII soldier (John Kerr) in Gaby (1956), a rather so-so remake of the far-superior "Waterloo Bridge", it took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie`s unique appeal. When MGM could not sign megastar Audrey Hepburn, who played the title role in the 1951 Broadway version, the part was given to Leslie, who had also performed the role successfully on stage in 1956. The musical received nine Academy Awards, including best picture, but Leslie herself was shamefully overlooked as a nominee.
A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 stage musical. Fanny (1961) was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans Maurice Chevalier, Salvatore Baccaloni and Charles Boyer. As its centerpiece, the child-like Leslie (at age 30!) was mesmerizing as a young girl with child, deserted by her sailor/boyfriend (Horst Buchholz). Even more adult in nature, she played a pregnant woman abandoned again, this time a French refugee, in the shattering drama The L-Shaped Room (1962), which earned her a second British Film Academy trophy and a second Oscar nomination.
On stage Leslie earned applause in another Audrey Hepburn vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a downhill detour amid a number of nothing-special comedies opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, and in mediocre foreign pictures, she began seeking out work on American TV. In the 80s appeared in stage production of "On Your Toes" and "One for the Tango".
Her private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royald Shakespeare director Peter Hall, by whom she had two children, Christopher and Jennifer; and from her Chandler (1971) producer Michael Lau
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Leslie Claire Margaret Caron
Leslie Claire Margaret Caron (born 1 July 1931) is a Franco-American film actress and dancer who has appeared in 45 films between 1951 and 2003. Her autobiography, Thank Heaven, was published in 2010 in the UK and US, and in 2011 in a French version. Veteran documentarian Larry Weinstein's Leslie Caron: The Reluctant Star premiered at the Toronto International Film Festival on June 28, 2016.
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==Leslie Claire Margaret Caron== (French: [lɛsli kaʁɔ̃]; born 1 July 1931) is a Franco-American actress and dancer who appeared in 45 films between 1951 and 2003. Her autobiography, Thank Heaven, was published in 2010 in the UK and US, and in 2011 in a French version. Veteran documentarian Larry Weinstein's Leslie Caron: The Reluctant Star premiered at the Toronto International Film Festival on June 28, 2016.
===Caron is best known=== for the musical films [[An American in Paris]] (1951), [[Lili]] (1953), [[Daddy Long Legs]] (1955), and [[Gigi]] (1958), and for the non-musical films [[Fanny]] (1961), [[The L-Shaped Room]] (1962), and [[Father Goose]] (1964). She received two [[Academy Award nominations]] for [[Best Actress]]. In 2006, her performance in [[Law & Order: Special Victims Unit]] won her an [[Emmy]] for [[guest actress in a drama series]]. She is fluent in French, English, and Italian. She is one of the few dancers or actresses who has danced with [[Gene Kelly]], [[Fred Astaire]], [[Mikhail Baryshnikov]], and [[Rudolf Nureyev]].
===Personal life=== In September 1951, Caron married American [[George Hormel II]], a grandson of the founder of Hormel (a meat-packing company). They divorced in 1954. During that period, while under contract to MGM, she lived in Laurel Canyon, in a Normandie style 1927 mansion, near the country store on Laurel Canyon Blvd.. One bedroom was all mirrored for her dancing rehearsals.
===Her second husband=== was British theatre director [[Peter Hall]]. They married in 1956 and had two children: [[Christopher John Hall]] (TV producer) in 1957 and [[Jennifer Caron Hall]], a writer, painter, and actress, in 1958.
===Caron had an affair=== with [[Warren Beatty]] (1961). When Hall and she divorced in 1965, Beatty was named as a co-respondent and was ordered by the London court to pay "the costs of the case."
===In 1969===, Caron married [[Michael Laughlin]], best known as producer of the film Two-Lane Blacktop; they divorced in 1980. Her son-in-law is [[Glenn Wilhide]], the producer and screenwriter.
===Caron was also romantically=== linked to Dutch television actor [[Robert Wolders]] from 1994 to 1995.
===From June 1993 until September 2009===, Caron owned and operated the hotel and restaurant Auberge la Lucarne aux Chouettes (The Owls' Nest), located in Villeneuve-sur-Yonne, located about 130 km (81 mi) south of Paris.
===In her autobiography===, Thank Heaven, she states that she claimed her American citizenship—evidently based on her mother having been born in the United States—in time to vote for Barack Obama for president.
==Leslie Caron== Dancer - ===Born=== July 1, 1931 in Boulogne-Billancourt, Seine [now Hauts-de-Seine], France
===Birth Name=== Leslie Claire Margaret Caron
===Height=== 5' 1½" (1.56 m)
===Mini Bio (2)=== Born in the suburbs of Paris, France, Leslie Caron is an actress and dancer. Gene Kelly got her into the movies for the film An American in Paris (1951). Got a world-wide reputation for her roles in Lili (1953) and Gigi (1958). Most recently Caron has appeared in British TV series The Durrells in Corfu (2016).
- IMDb Mini Biography By: Oliver Heidelbach
===French ballet dancer=== Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.
===Leslie Claire Margaret Caron=== was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.
===Leslie's talent and reputation=== as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.
===Kelly and newcomer Caron's touching performances=== and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.
===While Leslie's dramatic mettle=== was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.
===While the actress gave poignant life=== to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".
===A few more forgettable film roles=== came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.
===On stage in London=== with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.
===In the 1980's===, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).
===Leslie's private life=== has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.
===One of the few MGM post-musical stars=== to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a more limited basis. She has received a number of Life Achievement Awards for her contributions to both film and dance. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she again triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music".
- IMDb Mini Biography By: Gary Brumburgh / firstname.lastname@example.org
[[Michael Laughlin]] (1 January 1969 - 1980) (divorced)
[[Peter Hall]] (6 August 1956 - 5 February 1965) (divorced) (2 children)
[[Geordie Hormel]] (23 September 1951 - 26 April 1955) (divorced)