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You are here: Pics  >  Adolphe Menjou Pics (212 pics of Adolphe Menjou)

Adolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe MenjouAdolphe Menjou  and Marlene DietrichAdolphe Menjou  (1931)Adolphe Menjou  (1931)Adolphe Menjou  and Paul Morgan (1931)Adolphe Menjou  and Marlene Dietrich (1932)Adolphe Menjou  (1932)Adolphe Menjou  (1932)Adolphe Menjou  (1932)Adolphe Menjou  (1932)

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Adolphe Menjou
Adolphe Menjou
Adolphe Menjou
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Adolphe Menjou
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Adolphe Menjou
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Adolphe Menjou

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Pittsburgh, Pennsylvania

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Place of Death
Beverly Hills, California

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Eye Color
Brown - Dark


Profile Bio Text
The words "suave" and "debonair" became synonymous with the name Adolphe Menjou in Hollywood -- both on- and off-camera. The epitome of knavish, continental charm and sartorial opulence, Menjou, complete with trademark waxy black mustache, evolved into one of Hollywood`s most distinguished of artists and fashion plates -- a tailor-made scene-stealer, if you will. What is often forgotten is that he was primed as a matinée idol back in the silent-film days. With hooded, slightly owlish eyes, a prominent nose and prematurely receding hairline, he was hardly competition for Rudolph Valentino, but he did possess the requisite demeanor to confidently pull off a roguish and magnetic man-about-town. Fluent in six languages, Menjou nearly unrecognizable without some type of formal wear, and went on to earn distinction as the nation`s "best dressed man" nine times. Born on February 18, 1890, in Pittsburgh, Pennsylvania, he was christened Adolphe Jean Menjou, the elder son of a hotel manager. His Irish mother was a distant cousin of novelist/poet James Joyce ("Ulysses") (1882-1941). His French father, an émigré, eventually moved the family to Cleveland, where he operated a chain of restaurants. He disapproved of show business and sent an already piqued Adolphe to Culver Military Academy in Indiana in the hopes of dissuading him from such a seemingly reckless and disreputable career. From there Adolphe was enrolled at Stiles University prep school and then Cornell University. Instead of acquiescing to his father`s demands and obtaining a engineering degree, however, he abruptly changed his major to liberal arts and began auditioning for college plays. He left Cornell in his third year in order to help his father manage a restaurant for a time during a family financial crisis. From there he left for New York and a life in the theater. Adolphe toiled as a laborer, a haberdasher and even a waiter in one of his father`s restaurants during his salad days, which included some vaudeville work. Oddly enough, he never made it to Broadway but instead found extra and/or bit work for various film studios (Vitagraph, Edison, Biograph) starting in 1915. WWI interrupted his early career, and he served as a captain with the Ambulance Corps in France. After the war he found employment off-camera as a productions manager and unit manager. When the New York-based film industry moved west, so did Adolphe. Nothing of major significance happened for the fledgling actor until 1921 -- an absolute banner year for him. After six years of struggle he finally broke into the top ranks with substantial roles in The Faith Healer (1921) and Through the Back Door (1921), the latter starring Mary Pickford. He formed some very strong connections as a result and earned a Paramount contract in the process. Cast by Mary`s then-husband Douglas Fairbanks as Louis XIII in the rousing silent The Three Musketeers (1921), he finished off the year portraying the influential writer/friend Raoul de Saint Hubert in Rudolph Valentino`s classic The Sheik (1921). Firmly entrenched in the Hollywood lifestyle, it took little time for Menjou to establish his slick prototype as the urbane ladies` man and wealthy roué. Paramount, noticing how Menjou stole scenes from Charles Chaplin favorite Edna Purviance in Chaplin`s _Woman of Paris, A (1923)_, started capitalizing on Menjou`s playboy popularity by casting him as various callous and creaseless matinée leads in such films as Broadway After Dark (1924), Sinners in Silk (1924), The Ace of Cads (1926), A Social Celebrity (1926) and A Gentleman of Paris (1927). His younger brother Henri Menjou, a minor actor, had a part in Adolphe`s picture Blonde or Brunette (1927). The stock market crash led to the termination of Adolphe`s Paramount contract, and his status as leading man ended with it. MGM took him on at half his Paramount salary and his fluency in such languages as French and Spanish kept him employed at the beginning. Rivaling Gary Cooper for the attentions of Marlene Dietrich in Morocco (1930) started the ball rolling for Menjou as a dressy second lead. Rarely placed in leads following this period, he managed his one and only Oscar nomination for "Best Actor" with his performance as editor Walter Burns in The Front Page (1931) Not initially cast in the role, he replaced Louis Wolheim, who died ten days into rehearsal. Quality parts in quality pictures became the norm for Adolphe during the 1930s, with outstanding roles given him in The Great Lover (1931), A Farewell to Arms (1932), Forbidden (1932), Little Miss Marker (1934), Morning Glory (1933), A Star Is Born (1937), Stage Door (1937) and Golden Boy (1939). The 1940s were not as golden, however. In addition to entertaining the troops overseas and making assorted broadcasts in a host of different languages, he did manage to get the slick and slimy Billy Flynn lawyer role opposite Ginger Rogers` felon in the "

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High School
Culver Military Academy in Indiana

Stiles University prep school, Cornell University

Full Name at Birth
Adolphe Jean Menjou


Distinctive Feature


Roman Catholic

John Wayne, Barabara Stanwyck, Robert Taylor

Film Role
Actor/Actress, Soundtrack

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Wikipedia Text

Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charles Chaplin's A Woman of Paris, in which he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March. He was nominated for an Academy Award for The Front Page in 1931.

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