Brown - Light
The Bronx, New York City, New York, USA
Place of Death
New York, New York, USA
Cause of Death
Claim to Fame
Couple Profile Source
Full Name at Birth
Sigmund Sidney (step father)
Has Detailed Data (New)
Phyllis Kennedy, Stella Adler
Sylvia Sidney (born Sophia Kosow; August 8, 1910 – July 1, 1999) was an American actress of stage, screen and film, who rose to prominence in the 1930s appearing in numerous crime dramas.
Washington Irving High School
Wiki Bio Text
Date of Birth 8 August 1910, The Bronx, New York City, New York, USA
Date of Death 1 July 1999, New York City, New York, USA (throat cancer)
Birth Name Sophia Kosow
Nicknames The Woman with the Heart-Shaped Face
The Saddest Eyes in Hollywood
Height 5' 2½" (1.59 m)
Mini Bio (2)
Sylvia Sidney was born in New York City, in the Bronx borough, on August 8, 1910 with the birth name of Sophia Kosow. Her father was Russian born and her mother was born in Romania. They divorced not long after her birth. Her mother subsequently remarried and Sylvia was adopted by her stepfather, Sigmund Sidney.
Sylvia was a shy child and her parents tried to encourage her to be more outgoing and gregarious. As an early teen, Sylvia had decided that she wanted a stage career. While most parents would have looked down on such an announcement, Sylvia was encouraged to pursue the dream she had made. She was enrolled in the Theater Guild's School for Acting. Sylvia later admitted that when she decided to become a stage actress at 15, it wasn't being starstruck that occurred to her, but the expression of beauty that encompassed acting. All she wanted was to be identified with good productions. One school production was held at a Broadway theater and in the audience there was a critic from the New York Times who had nothing but rave reviews for the young Miss Sidney. On the strength of her performance in New York, Sylvia appeared in a play at the famed Poli Theater in Washington, D.C. More stage productions followed, each better than the last and it wasn't long before the film moguls were at the doorstep.
Sylvia was appearing in the stage production of "Crime" when she made her first appearance on the silver screen in 1927. The film in question was "Broadway Nights" which was dealt with stage personalities of which Sylvia was one. After the film she returned to the stage where she appeared in creations which were, for the most part, forgettable.
With the plays drying up, Sylvia moved to Colorado to tour with a stock company. She later returned to Broadway for a series of other plays. By 1929, Sylvia was on the big screen with "The Different Eyes" as Valerie Briand. There was another film, "Five Minutes From The Station" the following year. Sylvia was slowly leaving the stage for the production studios of Paramount. 1931 saw her appear in five films, of which, "City Streets" made her a star. She was very aware that she was replacing the great Clara Bow, who by now was suffering from severe depression. The contrast between the two actresses was very great indeed and the movie was a hit. The sad-eyed Sylvia made a tremendous impact and her screen career was off a running. Her next film was "Ladies of The Big House" later in '31. Sylvia played Kathleen Storm, part of a couple framed for a murder they didn't commit. The film made huge profits at the box-office. Co-starring with Fredric March, she then made "Merrilly We Go To Hell" in 1932. The results of the film was, again, an unqualified success. Later she made "Madame Butterfly" as geisha girl, Cho-Cho San. Here she played in one of the worst productions to date. Most critics agreed that Miss Sidney's performance saved the film from total disaster. In 1933, Sylvia starred in "Jeannie Gerhardt" in the role of the same name. Yet another doom and gloom picture, she played a girl beset with poverty and the death of her young husband before their child could be born. This turned out to be one fine performance and one fine motion picture. Sylvia received the star spotlight in 1934's "Good Dame". Despite her grand performance, the film failed miserably at the box-office, due in part to the miscast of co-star Fredric March. Sylvia scored big with the film critics with "Mary Burns", "Fugitive" (1935). Here she played a law abiding restaurant owner who falls for a big time gangster. Her performance was overshadowed by the appearance of Alan Baxter who gave an outstanding portrayal as the gangster. That film was quickly followed by "Accent On Youth" where she played Linda Brown, a young lady who was fascinated by older men. In 1938, Sylvia played in "You and Me" opposite George Raft. The film critics gave it mixed reviews and because of that it didn't do well at the box-office. Afterwards, the roles began to dissipate. Sylvia filmed "One Third of a Nation" and then wasn't seen again until "The Wagons Roll at Night"(1941).
There was a four year hiatus before "Blood On The Sun". In 1946, Sylvia starred in "The Searching Wind" where she played Cassie Bowman. The movie was based on a Broadway play but it just didn't transfer well onto the big screen. The film was widely considered to be too serious and flopped with the movie fans. After 1947's "Love From A Stranger" she didn't appear again until "Les Miserables" in 1952. Only three more films followed that decade. There were no films throughout the 1960s. After appearing in a made for television movie, Sylvia returned to the big screen in "Summer Wishes, Winter Dreams". With a few movie appearances, here and there, she appeared in several made for TV flicks. In 1988, she appeared as Juno in the mega hit "Beetlejuice". Her last film for the silver screen was "Mars Attacks"! in 1996. In 1998 she was Clia in the TV series "Fantasy Island". Sylvia died on July 1, 1999, of throat cancer. To the end, she proved to be a very adept actress.
- IMDb Mini Biography By: lawoman80s
"Film after film took advantage of the saddest eyes in Hollywood", says the photo caption for a portrait of Sylvia Sidney published with a 1978 interview conducted by Columbia University film instructor Karyn Kay. Sidney told what it was like working with Hitchcock on Sabotage (1936). She asked him: "How do we do the end of the scene before we've even rehearsed?" Once she learned his methods, she stopped asking questions. "Give him what he needs". In The Searching Wind (1946), Sidney played a newspaper reporter with convictions who was the alter ego of playwright Lillian Hellman. It was Hellman's play and she also wrote the film script. Sidney prided herself on simply playing "the writer's character."
- IMDb Mini Biography By: Dale O'Connor
Carlton Alsop (5 March 1947 - 22 March 1951) (divorced)
Luther Adler (3 August 1938 - 27 February 1946) (divorced) (1 child)
Bennett Cerf (1 October 1935 - 9 April 1936) (divorced)
Trade Mark (1)
Wrote two books on needlepoint, which were published in the 1970s.
She became the first star actress to be photographed in "outdoor Technicolor" when she starred in The Trail of the Lonesome Pine (1936).
Honored with a lifetime achivement award by the Film Society of Lincoln Center.
One of her hobbies was needlepoint.
She played the tragic, non-singing Cio-Cio San in the film Madame Butterfly (1932) which led to a brand of Japanese condoms being named the "Sylvia Sidneys".
Son Jacob, known as Jody, with actor Luther Adler was born October 22, 1939 and died 1987. Although Sylvia and Luther divorced in 1946, they remained friends and frequently turned to each other for professional advice, even appearing together in later stage productions.
Sylvia's first marriage was to Random House publishing president Bennett Cerf, who later served as the avuncular panelist on the popular nighttime game show What's My Line? (1950) of the 1950s and 1960s. Married on October 1, 1935, they separated three months later and divorced after just eight. Cerf later quipped, "One should never legalize a hot romance.".
Turned down the Casbah Girl lead in Algiers (1938) opposite Charles Boyer. Hedy Lamarr went on to fame in the role.
An antique farmhouse in Roxbury, Connecticut was Miss Sidney's home for decades, before moving to suburban Danbury, Connecticut the last several years of her life.
Miss Sidney was easily identified wherever she drove by her personalized Connecticut license plate which read "SYLIE".
Ex-wife of Luther Adler. She was at one time the sister-in-law of famed acting coach Stella Adler.
She was nominated for a 1973 Joseph Jefferson Award for Best Guest Artist for her performance in the play, "Suddenly Last Summer", at the Ivanhoe Theatre in Chicago, Illinois.
She was a lifelong member of the Republican party.
Seeing herself as a screaming witness in her first film Thru Different Eyes (1929) made her scream in the audience and cancel her Fox contract.
She was awarded a Star on the Hollywood Walk of Fame at 6245 Hollywood Boulevard in Hollywood, California on February 8, 1960.
She was sought for the lead role in "Angel In Furs" a film set on the Alaskan glacier. Sylvia's character, the lead, would have been a nurse. The film appears never to have been made.
Was a lifetime smoker, enjoying smoking until the end of her life. She smoked even when she was on chemotherapy to treat her cancer.
Personal Quotes (11)
Every young actress thinks she's a tragedian -- the more tragic roles, the more you cry, the more you suffer, the better an actress you are. But, when I got a little older, a little more mature, I wanted to get out of my image of "the victimized kid." I began to say, "Wait a minute. There's a thing called comedy that takes an even rougher intelligence and more technique and knowledge of the craft.
I'd be the girl of the gangster... then the sister who was bringing up the gangster... then the mother of the gangster... and they always had me ironing somebody's shirt.
What did Hitchcock teach me? To be a puppet and not try to be creative.
Paramount paid me by the tear.
Prima donnas in anything are bad... Having a child was a great leveling agent. Those babies couldn't care less that their parents were famous.
Women who try to hide their age just call attention to it. Why lie about it? I don't feel any younger... I don't look any younger. Somebody finds out about your real age eventually. It's easier to be frank about it... I've enjoyed every age in my life. I've never wanted to go back.
What's the use of talking about a favorite role if you can't get it... The role you're doing ought to be your favorite. If you don't like a part it's probably because you've a feeling of inadequacy about it.
Hollywood! It's like an old chair - if it's useful, keep it; if not, give it to Goodwill.
Fredric March had the reputation of being a ladies man. We made two pictures together, Merrily We Go to Hell (1932) and Good Dame (1934). But he never laid a hand on me, never made a pass at me! Freddie was happily married. He'd tease me by saying, "Look at those boobs!" or "Look at that toosh!". But it was all in fun.
[on realizing she could refuse unsuitable roles] When I realized I didn't have to, I became a bitch on wheels.
[on her unhappy experience working with William Wyler] (He) made me feel so inadequate. More than anybody else, I think, he was responsible for sending me back to the stage to try to regain my security as an actress.
Dead End (1937) $75,000
Sylvia Sidney (August 8, 1910 – July 1, 1999) was an American actress.
Sidney, born Sophia Kosow in The Bronx, New York, was the daughter of Rebecca (née Saperstein), a Romanian Jew, and Victor Kosow, a Russian Jewish immigrant who worked as a clothing salesman. Her parents divorced by 1915 and she was adopted by her stepfather, Sigmund Sidney, a dentist. Sidney became an actress at the age of fifteen as a way of overcoming shyness, using her stepfather`s surname as her professional surname. As a student of the Theater Guild`s School for Acting, Sidney appeared in several of their productions during the 1920s and earned praise from theater critics. In 1926, she was seen by a Hollywood talent scout and made her first film appearance later that year.
During the Depression, Sidney appeared in a string of films, often playing the girlfriend or the sister of a gangster. She appeared opposite such heavyweight screen idols as Spencer Tracy, Henry Fonda, Joel McCrea, Fredric March, George Raft (a frequent screen partner), and Cary Grant. Among her films from this period were: An American Tragedy, City Streets and Street Scene (all 1931), Alfred Hitchcock`s Sabotage and Fritz Lang`s Fury (both 1936), You Only Live Once, Dead End (both 1937) and The Trail of the Lonesome Pine which was shot in early Technicolor. Although Sidney had an arresting, slightly Eurasian face and a lovely figure, these assets were often obscured for the sake of the stark, gritty plots of her films.
After what seemed to be a promising second phase of her career playing opposite the likes of James Cagney in films like Blood on the Sun (1945) with a considerably more glamorous screen persona, her career diminished somewhat during the 1940s. In 1952, she played the role of Fantine in Les Misérables, and her performance was widely praised and allowed her opportunities to develop as a character actress. She received an Academy Award nomination for her supporting role in Summer Wishes, Winter Dreams (1973). During the filming of Summer Wishes, Winter Dreams, costar Joanne Woodward remarked how she and her husband, Paul Newman, had a difficult time remembering their anniversary date. Later, Sidney surprised Woodward with a gift of a handmade pillow with the inscription "Paul and Joanne" and their anniversary date.
As an elderly woman Sidney continued to play supporting screen roles, and was identifiable by her husky voice, the result of a lifetime cigarette smoking habit. She was the formidable Miss Coral in the film version of I Never Promised You a Rose Garden and later was cast as Aidan Quinn`s grandmother in the television production of An Early Frost for which she won a Golden Globe Award. She played Aunt Marion in Damien: Omen II and had key roles in Beetlejuice (directed by longtime Sidney fan Tim Burton) and Used People (which co-starred Jessica Tandy, Marcello Mastroianni, Marcia Gay Harden, Kathy Bates and Shirley MacLaine). Her final role was in another film by Burton, Mars Attacks!, in which she played a senile grandmother whose beloved Slim Whitman records stop an alien invasion from Mars when played over a loudspeaker.
On TV, she appeared as the imperious mother of Gordon Jump on the pilot episode of WKRP in Cincinnati; as the troubled grandmother of Melanie Mayron in the comedy-drama Thirtysomething and, finally, as the crotchety travel clerk on the short-lived late-1990s revival of Fantasy Island with Malcolm McDowell, Fyvush Finkel and Mädchen Amick. She also appeared in an episode of Dear John.
Sidney`s Broadway theatre career spanned five decades, from her debut performance as a graduate of the Theatre Guild School in the June 1926 3-act fantasy Prunella to the Tennessee Williams play Vieux Carré in 1977. Additional credits include The Fourposter, Enter Laughing, and Barefoot in the Park.
Sidney was married three times, she married publisher Bennett Cerf on 1 October 1935, but the couple were divorced shortly after on April 9, 1936. She then was married to actor and acting teacher Luther Adler from 1938 until 1947, by whom she had a son, Jacob, who predeceased her, and a daughter, Jody, who was born on October 22, 1939. On March 5, 1947 she married radio producer and announcer Carlton Alsop. They were divorced on March 22, 1951. Sidney died from throat cancer in New York City at the age of 88, after a career spanning more than 70 years. She was cremated and her ashes were either given to a friend or family.
Sidney has a star on the Hollywood Walk of Fame for her contribution to Motion Pictures at 6245 Hollywood Boulevard.
Couple Profile Source