First Name
Hayley
Last Name
Mills
Birthday
1946-04-18
Height
63
Build
Slim
Eye Color
Blue
Hair Color
Blonde
Birthplace
London, England, UK
Zodiac Sign
Aries
Ethnicity
White
Claim to Fame
Pollyanna, The Parent Trap -1961
Nationality
British
Gender
Female
Film Role
Actor/Actress, Soundtrack
Has Detailed Data (New)
1
Full Name at Birth
Hayley Catherine Rose Vivian Mills
Age
72
Father
John Mills (actor)
Mother
Mary Hayley Bell (novelist)
Brother
Jonathan Mills
Sister
Juliet Mills (actress)
Family Member
Crispan Boulting Mills (son) (musician), Jason Lawson (son)
Wikipedia Text
Hayley Catherine Rose Vivien Mills (born 18 April 1946) is an English actress. The daughter of Sir John Mills and Mary Hayley Bell, and younger sister of actress Juliet Mills, Mills began her acting career as a child and was hailed as a promising newcomer, winning the BAFTA Award for Most Promising Newcomer for Tiger Bay (1959), the Academy Juvenile Award for Pollyanna (1960) and Golden Globe Award for New Star of the Year – Actress in 1961. During her early career, she appeared in six films for Walt Disney, and is perhaps best known for her dual role as twins Susan and Sharon in the Disney film The Parent Trap (1961).
Current Partner
45394
Has Detailed Data (105)
1
Middle Name
Catherine Rose Vivian
Has Detailed Data (76)
1
Music Profile Complete
1
Profile Bio Text
Born Hayley Catherine Rose Vivien Mills in London in 1946, she is the daughter of the great actor Sir John Mills and the well-known novelist-playwright Mary Hayley Bell. Her sister is the actress Juliet Mills. She grew up in her parents' home, an outgoing, funny child, and, because she spent so much time with her parents and their friends, very intelligent. When she went to boarding school at age nine, however, she became very shy around kids her own age. She found solace in theater productions at her school. She was noticed playing at her parent's home in 1958 by director J. Lee Thompson, who immediately cast her opposite her father in the thriller Tiger Bay (1959). Her debut performance turned heads around the world, from Germany, where she won an award at the Berlin Film Festival, to Hollywood, when Walt Disney came knocking at her door. He signed her to a five-year contract. For her first film for the studio, Pollyanna (1960), she won critical raves, box-office success, and a special Juvenile Academy Award. Her second Disney film, The Parent Trap (1961), in which she played twins, was even more popular. She continued to appear in routine Disney films like In Search of the Castaways (1962) and Summer Magic (1963), as well as films outside the studio like Whistle Down the Wind (1961), based on her mother's novel, and The Chalk Garden (1964), again co-starring with her father. Though Disney gave her a somewhat more adult role in the mystery film The Moon-Spinners (1964), she had begun to tire of her sunny, innocent Pollyanna image. After completing That Darn Cat! (1965), she left the studio for good. That Darn Cat! (1965) was still a success, as was her first post-Disney film, Columbia's The Trouble with Angels (1966). Then, she shocked her fans by appearing in the comedy The Family Way (1966) with her father. There was an even bigger surprise in store when she fell in love with the film's director, Roy Boulting, who was 33 years her senior. She lived with Boulting for five years after he divorced his wife. They married in 1971 and had a son, Crispian Mills, in 1973. By this time, he'd taken control of her career, and, as a result, she made many bad film choices that left critics and audiences cold. By 1976, her film career had pretty much tanked. She divorced Boulting that year and moved in with actor Leigh Lawson, with whom she had a son, Jason. They separated in 1984. She appeared in three TV-movie sequels to The Parent Trap (1961) in the late 1980's, and also appeared in the BBC miniseries "The Flame Trees of Thika" (1981) and the TV series "Good Morning, Miss Bliss" (1987), later re-titled "Saved by the Bell" (1989). She hasn't done much film work in several years, preferring to concentrate on her burgeoning career in theater. Her greatest success in theater, so far, has been the role of Anna in "The King and I", which she has played in many touring stage productions throughout the 1990's.
Couple Profile Source
www.imdb.com/name/nm0001539/bio
Occupation Text
Actress, Singer, Voice Artist
Year(s) Active
1947–present
Pregnant
2
Year(s) Active
1959–present
Dating Status
Long-Term
Couple Profile Source
www.lifetimetv.co.uk/biography/biography-hayley-mills
Talent Agency (e.g. Modelling)
Chatto & Linnit Ltd, (London), Don Buchwald & Associates N.Y.
Official Websites
www.nndb.com/people/727/000024655/, www.biography.com/people/hayley-mills-9408958, www.behindthevoiceactors.com/Hayley-Mills/
Wiki Bio Text
Hayley Mills
Active - 1959 - 2011 | Born - Apr 18, 1946 in London, England | Genres - Comedy, Children's/Family, Drama, Adventure, Mystery
Biography by Bruce Eder
The daughter of British actor John Mills and playwright Mary Hayley Bell, Hayley Catherine Rose Vivien Mills made her first screen appearance as an infant in 1947's So Well Remembered. It wasn't until a decade later, however, that Hayley Mills made her formal film debut, portraying the preteen murder witness who is nearly destroyed by her connection to the criminal in 1959's Tiger Bay. Playing many scenes alongside her own father,Mills gave an uncannily affecting performance that won her the British Film Academy's Most Promising Newcomer Award. The movie also brought her to the attention of Walt Disney, ever on the lookout for talented child actors. In 1959, Mills entered Disney's orbit, and the producer placed her into the most meticulous and artistic live-action film in his studio's history up to that time: Pollyanna (1960). The movie transformed Mills from a precociously talented juvenile player into a full-fledged star, and earned her a special Academy Award for her performance. Ironically, Pollyanna was somewhat mis-marketed at the time as a film intended principally for younger girls and their mothers -- in actuality, it is a sentimental film whose dramatic content and visual craftsmanship place it closer in spirit to pictures like The Music Man, or even Shenandoah, perfectly suitable for general audiences; as a result, it was never as big a hit in theaters as it should have been, and Mills' biggest success for Disney turned out to be her next feature, The Parent Trap (1961). This movie, about a set of estranged identical twin sisters who conspire to get their divorced parents back together, gave the 15-year-old actress the chance to play two separate characters, with two distinctly different personalities. She was able to convince a major part of the audience that she was two different people (a gambit later picked up by the creators of The Patty Duke Show), and she also hit the pop music charts with a song from the film, called "Let's Get Together." In the years that followed, Mills' output for Disney proved somewhat uneven, The Moon-Spinners (1964) failing to impress critics, while the more dramatically demanding The Chalk Garden (1964), in which she played an emotionally crippled adolescent, was some of her best work, and reunited her onscreen with her father; and she excelled in the drama Whistle Down the Wind (1962), directed by Bryan Forbes and made for Rank, playing a girl who shelters an escaped criminal, who thinks he's Jesus.
The advent of the British Invasion in popular music, which imparted an appeal to all things British in America for about two years, helped sustain Mills' popularity, and her final Disney film, That Darn Cat (1965), was a hit and one of her best comedies, though she was outshone (as she might well have been) by old hands like William Demarest. Her first film after leaving the Disney fold was Gypsy Girl (1966), which marked a break from the American producer's tendency toward light comedy -- directed by her father and written by her mother, it presented Mills in the role of a retarded teenager. She was engaged by John and Roy Boulting to star in The Family Way (1966), a comedy about close-quarter familiar relations (best remembered today because of its score, written by Paul McCartney) -- that picture exploded her lingering goody-two-shoes image by offering Mills in a well-publicized nude scene, and what the scene itself didn't accomplish in changing her image, her romance and marriage to director Roy Boulting, some 33 years her senior, did, and the two had a daughter before their divorce in 1976. Mills would also have a lengthy relationship and eventually a son with actor Leigh Lawson.
Curtailing her film appearances in the early '70s, Mills devoted most of her time to television productions; in 1986, she came back to the Disney fold with a Parent Trap TV-movie sequel, and she earned a place in the hearts of a new generation with the title role on 1987's Good Morning, Miss Bliss, the TV precursor to Saved by the Bell. Mills would take a break during the 90's, but returned to TV full force in 2007 with a starring role on the series Wild at Heart.
http://www.allmovie.com/artist/hayley-mills-p49382
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