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You are here: Pics  >  Changing Lanes Pics (34 pics of Changing Lanes)

Changing LanesChanging Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes  (2002)Changing Lanes Ben Affleck in Paramount's  - 2002Changing Lanes Ben Affleck in Paramount's  - 2002Changing Lanes Samuel L. Jackson in Paramount's  - 2002Changing Lanes Samuel L. Jackson in Paramount's  - 2002Changing Lanes Samuel L. Jackson, who needs this loan for his LIFE, in Paramount's  - 2002

Changing Lanes Pics

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Changing Lanes Snapshot

Release Year

An ambitious lawyer, a desperate father, they had no reason to meet, until today,

Plot Summary
The story of what happens one day in New York when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive and their mutual road rage escalates into a feud.

Run Time
98 min, Turkey:91 min (TV version)

Aspect Ratio
2.35 : 1

Rating Details
Rated R for language.

Drama, Thriller


Feud, Lawyer, Road Rage, Judge, Insurance Agent

Movie Rating

Sound Mix
DTS, Dolby Digital


Film Type

Film Class
Message Movie, Urban Drama, Melodrama

Class Differences, Work Ethics, Crisis of Conscience, Out For Revenge, Intersecting Lives, Feuds, Death of a Friend, Race Relations, Alcoholism, Custody Battles

Confrontational, Moody, Earnest, Angry, Bleak, Disturbing, Forceful

Only Human, Food for Thought

Has Detailed Data (New)
10, 1, 2, 3

Count - Awards


US Box Office

Release Date


Country Of Origin

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Wikipedia Text

Changing Lanes is a 2002 drama-thriller film directed by Roger Michell and starring Ben Affleck and Samuel L. Jackson. It was released on April 12, 2002 in North America by Paramount Pictures.

Has Detailed Data (New)

Youtube Video Code

Has Videos

Wikipedia Plot

A successful New York attorney, Gavin Banek, is in a rush to file a power of appointment, which will prove a dead man signed his foundation over to Banek's law firm. He has a collision with another car, belonging to an insurance salesman, Doyle Gipson, who is also in a rush to a hearing to try to gain custody of his children and to prevent his estranged wife from taking them to Oregon. Banek tries to brush Gipson off with a blank check thereby disobeying the law. After Gipson refuses to accept the check and voices his desire to "do the right thing", that is, filing a police report and insurance claim, Banek strands Gipson, telling him, "better luck next time". After arriving to the court late, Gipson learns that it proceeded without him and that it didn't go in his favor.

Unfortunately for Banek, he dropped the crucial power of appointment file at the scene of the accident, and the judge gives him until the end of the day to re-obtain the papers and present them. Gipson, who took the papers, has no intention of returning them, and in desperation, Banek goes to someone skilled with computers and gets him to switch off Gipson's credit. Gipson needed credit for a loan so he could buy a house for his family, and he becomes further enraged, determined to make life difficult for Banek.

Both men continue to do morally reprehensible things in an attempt to one-up each other, and eventually they begin to question their actions. Though it is made clear that Banek and Gipson are radically different, they both have an angry, vengeful streak, each capable of abandoning his morals just to punish the other. The film ends with both men having a new outlook on life, concentrating on ethics and the moral implications of their actions. Ultimately the two men apologize to each other and Gipson returns the file, but it looks to be too late for both of what they were trying to do. Banek ends up using the file to force his boss to do the right thing and plans to represent Gipson pro bono so he can get the house he wants. Banek also visits Gipson's wife to explain everything to her, knowing he owes Gipson that much. The movie ends with Gipson's wife and children smiling at him from across the street, indicating a possible reconciliation or at the very least some kind of arrangement between the two in the future.

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